Sandy Tolan: The Flute at the Checkpoint

Vox Populi

The Everyday Politics of Confinement in Palestine

The SUV slows as it approaches a military kiosk at a break in a dull gray wall. Inside, Ramzi Aburedwan, a Palestinian musician, prepares his documents for the Israeli soldier standing guard. On the other side of this West Bank military checkpoint lies the young man’s destination, the ancient Palestinian town of Sebastia. Fellow musicians are gathering there that afternoon to perform in the ruins of an amphitheater built during Roman times. In the back seat, his wife, Celine, tends their one-year-old son, Hussein, his blond locks curling over the collar of his soccer jersey.

Ramzi is in a hurry to set up for the concert, but it doesn’t matter. The soldier promptly informs him that he cannot pass. “Those are the orders,” he adds without further explanation, directing him to another entrance 45 minutes away. Turning the car around, Ramzi then drives…

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